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1

What Streaming Has Changed About Writing for Film and TV

The rulebook for screenwriters didn’t get thrown out when streaming arrived. It got rewritten — faster, looser, and with a lot more pages.

If you’re studying writing for film and TV right now, you’re entering an industry that looks radically different from the one that produced Breaking Bad, let alone Seinfeld. The shift touches what audiences expect, what formats are viable, and what skills separate a working writer from a great one. Understanding how streaming changed the game isn’t optional background knowledge. It’s the foundation of your craft.

2

The Film Student’s Guide to Visual Storytelling

Every film is a visual argument. Before a single line of dialogue lands, the audience is already reading the frame – the lighting in a room, where the camera sits, how a character moves through space. Visual storytelling is what turns footage into meaning. It’s also the skill set that separates filmmakers who understand the medium from those still pointing a camera at things and hoping.

This guide covers the core tools – lighting, composition, camera movement, color, framing, and editing – and how to start using them on purpose.

3

What Is Cannes Lions?

Most people know about the legendary festival in Cannes where movie stars and directors flock to win the Palme d’Or. But there’s a second, equally massive festival in the exact same city, happening in the exact same building.

Cannes Lions belongs to the people shaping modern culture through brands, media, entertainment, design, and creative technology.

4

Title Sequence Design: The 90 Seconds That Tell You Everything

The house lights go down. The screen goes dark. And before a single actor shows up, before the plot moves an inch — the film has already told you exactly what it is.

That’s the title sequence. Ninety seconds. No dialogue. No story. Just type, motion, color, and intent. And somehow, it communicates an entire emotional universe.

It’s also, almost always, the work of a graphic designer.

5

We Went to Cine Gear. Here’s What Actually Happened.

Thirty years in, and Cine Gear Expo still earns it.

That’s not nothing. Most industry events peak around year four and spend the next two decades coasting on their own reputation. Cine Gear kept building. This year, members of The Los Angeles Film School production team made the trip to Universal Studios in Burbank for the 30th Anniversary — and walked away with gear calluses, a signed book, and a few conversations worth having.

7

From LAFS to Hollywood: How Joshua Bramer Became the Prop Master Behind Everything Everywhere All at Once, Euphoria, Don’t Worry Darling, and More

Long before he became an in-demand Hollywood property master working on acclaimed productions like Everything Everywhere All at Once, Euphoria, Freakier Friday, and Blonde, he was a kid in Michigan, completely fascinated by movies like Hook and Jurassic Park, watching behind-the-scenes bonus content behind his favorite films, which he hoped would reveal how movie worlds were created.

Today, Joshua Bramer helps create those worlds himself—designing and sourcing the props that bring characters, stories, and entire universes to life onscreen.

8

A Guide to Networking (Without Feeling Fake)

There’s a specific kind of anxiety that shows up at student showcases, mixers, industry panels, and networking nights.

You walk into the room already feeling behind. Everyone seems confident. Someone asks, “So what do you do?” And suddenly, you’re trying to summarize your entire creative identity in one sentence without sounding awkward.